Kizz Daniel Reclaims Ownership of His Debut Album New Era
A Landmark Moment in Nigerian Music and Artist Empowerment
Nigerian music sensation Kizz Daniel has just made a bold and inspiring announcement – he now owns the masters to all the songs on his classic debut album, New Era. Originally released in 2016, New Era not only launched Kizz Daniel into mainstream fame but also remains one of the most acclaimed Afropop projects of the decade, featuring hits like Woju, Laye, Mama, and Good Time.
This move signals a significant shift in an industry where many artists, especially at the early stages of their careers, sign deals that hand over control and long-term rights to their music. By regaining ownership of his masters, Kizz Daniel takes full control over how his music is used, licensed, and monetized in the future.
What This Means
Owning masters means Kizz Daniel now receives 100% of the revenue generated from New Era, including streams, sync placements, and licensing deals. This gives him both financial freedom and creative leverage. For fans and fellow artists, it’s a strong message: artists can – and should – fight for control over their art.
This announcement comes at a time when more Nigerian and global artists are becoming vocal about music ownership. With this move, Kizz Daniel joins the ranks of musicians like Burna Boy, Olamide, and even international icons like Taylor Swift, who have made headlines for reclaiming their work.
The Bigger Picture
New Era wasn’t just a debut album – it was a cultural reset. Dropped while Kizz Daniel was still under G-Worldwide Entertainment, the project faced promotional limitations due to label disputes. Yet despite all that, it went on to shape Afropop’s modern sound and elevate the artist to star status. Reclaiming ownership now is like closing the loop – a full-circle moment of artistic and business triumph.
Fan Reactions
Unsurprisingly, fans are celebrating across social media, with many praising Kizz Daniel for leading by example. One tweet reads:
“Kizz Daniel owning his masters is not just a win for him – it’s a win for all Nigerian artists waking up to the business side of music.”
What’s Next?
With full control over New Era, Kizz Daniel might explore re-releases, remastered versions, or even licensing for film, ads, and global collaborations. It’s not just about nostalgia – it’s about future value.
Kizz Daniel’s announcement is more than personal news – it’s a moment of empowerment for Nigerian music. Ownership is the future, and Vado is showing the way.
